Tumperkin has written a tribute to Regency romance, and I was struck by the fact that she seems to be fascinated by the era for many the same reasons that I’m fascinated by the jazz age, namely for how women of the era behaved.
Strikingly:
the fashions were interesting and extreme: there are accounts of women of the Ton going out without corsets and wearing almost transparent gowns, like prostitutes. Many clothes and hairstyles were inspired by classical antiquity (I also adore Greek and Roman myths and legends so that is soooooo speaking to me). And clothes were taken terribly terribly seriously. They were a religion to the Dandys.
Hmm, scandalous dresses, no corsets, clothing as political statement, what does that remind you of? Flappers, maybe. (Bonus! Check out this awesome video on YouTube.) Now, during the Regency period in England, women were still property of their husbands so it wasn’t as progressive as the Jazz Age, but it was transgressive enough for the Victorian era to be a reaction to it, if you follow what I think is a two-steps-forward-one-step-back progress (or devolution) of women’s rights and morality. Think of it this way:
Regency –> Victorian Era
Jazz Age — > buttoned-up 1950s
Counterculture 1960s –> our current reactionary period
Speaking of loose morals, I finished reading Phyllida and the Brotherhood of Philander. This is the bisexual romance sex comedy I mentioned last week. Here, I’ll take the book description from the author’s website:
Andrew Carrington is the ideal Regency gentleman: heir to an earldom, wealthy, handsome, athletic—and gay. When he decides to do his duty to his family, he wants marriage on his terms: an honest arrangement, with no disruption to his way of life. But in the penniless, spirited—and curvaceous—Phyllida Lewis, a self-educated author of romances, Andrew gets more than he bargained for, perhaps even love. And when he meets honorable, shrewd—and hunky—Matthew Thornby, son of a self-made baronet, Andrew seems to have everything a man could desire, until a spy and blackmailer tries to ruin him and his friends.
I really enjoyed the book, despite some flaws (the subplot with the spies is confusing, scenes without the protagonists drag a little, there are a whole lot of tertiary characters that don’t get developed enough to be distinguishable, and some other things) but the main thing I want to talk about here is that I think the heroine, our titular Phyllida, gets the short end of the stick in the end. [SPOILER ALERT!] Andrew marries her and Matthew, but it’s not a mutual arrangement, it’s more that Andrew gets the best of both, plus it’s implied that Matthew can, uh, see to his needs while Andrew and Phyllida get to work with the heir breeding, but Phyllida, it is understood, will not have relations with anyone but Andrew, both by agreement and because she’s not interested. I was kind of hoping Matthew would get a thing going with Phyllida, but it never comes to that. And I find it all kind of problematic after thinking about it. Poor Phyllida, victim to the old double standard.[END SPOILERS]
Meh, at least there are steamy sex scenes, right?
Actually, you can still argue that the author did a brave thing, both in putting gay sex scenes in a novel and for putting them in a novel ostensibly marketed towards women. It’s one of those female fantasies no one talks about, although slash fanfic writers (and female Queer as Folk fans) the world over may have a few things to say about that. The novel is fantasy and reads as such and it’s a compelling read as much as it is transgressive.
I’d argue further that romance novels have kind of a bad rap. Sure, a lot of them are fluffy, but — and I can say this with authority because I’ve read a whole hell of a lot of them over the last year or so — but some of them are subversive, too, putting men and women into interesting situations and exploring how they react to each other. A lot of romance writers are probably doing more for feminism, particularly by writing in a medium that is devoured primarily by women, than I do on any given day. See the above example, but I will also mention my favorite romance novel of late, Laura Kinsale’s Flowers from the Storm, in which the heroine is a Regency-era Quaker who likes math and never compromises who she is even for the love of the rakish Duke with whom she falls in love. That’s a heroine I can get behind.